Recounted in flashback are the romantic perils of Mathieu, a middle-aged French sophisticate as he falls for his 19-year old former chambermaid Conchita.

A group of juvenile delinquents live a violent and crime-filled life in the festering slums of Mexico City, and the morals of young Pedro are gradually corrupted and destroyed by the others...

Luis Buñuel and Salvador Dalí present seventeen minutes of bizarre, surreal imagery.

At the prize ceremony at Venice, Bunuel again announced his retirement. Not quite. In 1970, he starred Deneuve again, in "Tristana," a morbid romance between an aging pederast and the woman he adopts, mistreats and loses. After her leg is amputated, she returns to him for support, and revenge.

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“As much as I love the cacophonous effect of actors speaking simultaneously, I made a point of viewing Criterion's edition of this film with English subtitles on (despite being a native English speaker . . .”

My feeling is that his canvas is too narrow and his social comment too plain to keep our interest fixed upon his people and their barren stewing for an hour and a half.

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It is considered by Mexican film critics as the 16th best film of the Mexican cinema[citation needed] and one of the best 1000 films by The New York Times.[2]

His firmest conviction was that most people were hypocrites--the sanctimonious and comfortable most of all. He also had a streak of nihilism; in one film, a Christ figure, saddened by the sight of a dog tied to a wagon spoke and too tired to keep up, buys the dog to free it. As he does, another dog tied to another wagon limps past unnoticed in the background.

A wickedly designed, satirical and quite possibly dangerous work.

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The Exterminating Angel (Spanish: El ángel exterminador), is a 1962 highly satirical and allegorical surrealist film, written and directed by Luis Buñuel, starring Silvia Pinal, and produced by her then-husband Gustavo Alatriste. It contains a view of human nature suggesting "mankind harbors savage instincts and unspeakable secrets".[1]

During a formal dinner party at the lavish mansion of Señor Edmundo Nobile and his wife, Lucia, the servants unaccountably leave their posts until only the major-domo is left. After dinner the guests adjourn to the music room, where one of the women, Blanca, plays a piano sonata. Later, when they might normally be expected to return home, the guests curiously remove their jackets, loosen their gowns, and settle down for the night on couches, chairs and the floor.

Luis Bunuel's "The Exterminating Angel" (1962) is a macabre comedy, a mordant view of human nature that suggests we harbor savage instincts and unspeakable secrets. Take a group of prosperous dinner guests and pen them up long enough, he suggests, and they'll turn on one another like rats in an overpopulation study.

By the time he came to make "The Exterminating Angel" in 1962, Bunuel's career was on its delayed upswing. He had made a great international hit, "Viridiana," in 1960; it won many festival prizes and represented his return to Spain after decades overseas. But its central image--a scandalous tableau re-creating the Last Supper--displeased the Spanish censors, and he was back in Mexico again and primed for bitter satire when he made "The Exterminating Angel."

“It would be great to see In the Heat of the Night and Jackie Brown added to the Criterion Collection. Also some more films featuring black actors that are actually directed by African Americans . . .”

One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »

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Filmed in B&W; interactive menus; scene access; trailer.

A surreal, virtually plotless series of dreams centered around six middle-class people and their consistently interrupted attempts to have a meal together.

Bunuel begins with small, alarming portents. The cook and the servants suddenly put on their coats and escape, just as the dinner guests are arriving. The hostess is furious; she planned an after-dinner entertainment involving a bear and two sheep. Now it will have to be canceled. It is typical of Bunuel that such surrealistic touches are dropped in without comment.

A look at this year's competition for Best Actress.

Following the Viridiana scandal, Buñuel returned to Mexico. He kept his production team and decided to make another movie starring Pinal. The film, originally called The Outcasts of Providence Street, was renamed The Exterminating Angel after Buñuel picked it from an unfinished play his friend José Bergamín was writing at the time. The film was released in Mexico in 1962, and was just as controversial as its predecessor had been.[citation needed]

Two drifters go on a pilgrimage from France to Santiago de Compostela in Spain. Along the way, they hitchhike, beg for food, and face the Christian dogmas and heresies from different Ages.

If not necessarily Buñuel's greatest film, this unclassifiable creation must count as one of the most twisted stunts ever mounted for the screen.

The Exterminating Angel (1967)

When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable ... See full summary »

Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him come down to Earth and is trying to seduce him.

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In typical fashion, Buñuel offers no explanation, but the way your head spins around this simple premise makes each scene more fun than the last.

Then, in a series of subtle developments, it becomes apparent that no one can leave. They make preliminary gestures. They drift toward the hallway. There is nothing to stop them. But they cannot leave. They never exactly state that fact; there is an unspoken, rueful acceptance of the situation, as they make themselves comfortable on sofas and rugs.

A frigid young housewife decides to spend her midweek afternoons as a prostitute.

Viridiana, a young nun about to take her final vows, pays a visit to her widowed uncle at the request of her Mother Superior.

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