“One of my first purchases, along with The 400 Blows, and what a delightful oddity! Also, this film came out of the Hollywood studio system?! Amazing. ”

Chris Bones saw the script on Cox's website and asked, and received, permission to adapt the script into a graphic novel. The book, Waldo's Hawaiian Holiday,[15] was released in March 2008 by Gestalt Publishing.[16]

I saw "Repo Man" near the end of a busy stretch on the movie beat: Three days during which I saw more relentlessly bad movies than during any comparable period in memory. Most of those bad movies were so cynically constructed out of formula ideas and "commercial" ingredients that watching them was an ordeal. "Repo Man" comes out of left field, has no big stars, didn't cost much, takes chances, dares to be unconventional, is funny, and works. There is a lesson here.

A sleazy cable-TV programmer begins to see his life and the future of media spin out of control in a very unusual fashion when he acquires a new kind of programming for his station.

Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, ... See full summary »

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Repo Man has the type of unerring energy that leaves audiences breathless and entertained.

It's kind of a road movie and kind of a science fiction movie and kind of a look at those unsung heroes who repossess cars amid the haze of serious drug use.

This message came to me from a reader named Peter Svensland. He and a fr...

“The sanitized TV version was a guilty pleasure of mine in the late 80's...so great to have that included here, along with the incendiary original cut.”

Cox's style is a step beyond camp into a comedy of pure disgust; much of the film is churlishly unpleasant, but there's a core of genuine anger that gives the project an emotional validation lacking in the flabby American comedies of the early 80s.

Over the last sixty years, Harry Dean Stanton has carved out a singular path in American cinema. His roles showcase a rare combination of haunting stoicism and emotional depth, qualities that he . . . Read more »

Otto soon learns that, as Bud had told him, "the life of a repo man is always intense." He enjoys the fast living, drug use, car chases, hot-wiring cars, and good pay. His old life is boring by comparison.

It was 1984 and Americans were on course to re-elect a s****y, sadistic, semi-sentient president. In a f****** landslide.

Repo Man is a 1984 American science fiction comedy film directed by Alex Cox. It was produced by Jonathan Wacks and Peter McCarthy, with executive producer Michael Nesmith, and stars Harry Dean Stanton and Emilio Estevez.

Outside of Goffs, California, in the Mojave Desert, a policeman pulls over a 1964 Chevrolet Malibu driven by Dr. J. Frank Parnell (Fox Harris). The cop opens the trunk, sees a blinding flash of white light, and is instantly vaporized, leaving only his boots behind.

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Otto Maddox (Emilio Estevez), a young punk rocker living in Los Angeles, is fired from his boring job as a supermarket stock clerk. His girlfriend leaves him for his best friend. Depressed and broke, Otto is wandering the streets when a man named Bud (Harry Dean Stanton) drives up and offers him $25 to drive a car out of the neighborhood.

Repo Man received widespread acclaim, was considered one of the best films of 1984,[4][5][6] and has since achieved cult film status.

A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of ... See full summary »

“Alex Cox's 80's cult classic about a near-future LA where a young punk gets a job as a Repo man, and his repo mentor ( H. D. Stanton) pursue THE score”

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As a repo chick, wealthy bad-girl Pixxi and her entourage get mixed up in a devious kidnapping plot that threatens to wipe out the city of Los Angeles.

a western [but] also a punk road movie, a conspiratorial cold-war chase caper, a paranoid apocalypse sci-fi, a postmodern mixed "plate of shrimp", a hilarious Eighties satire and a wry lowlife rejoinder to Reagan's upwardly mobile American dream.

The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.

According to the documentary A Texas Tale of Treason, Cox wrote a sequel to Repo Man which, though filming started, was never finished.[citation needed]

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A 1984 underground touchstone [that's] a creepy visitation from a fracturing society.

With its idiosyncratic humor, killer soundtrack, and middle finger to Reagan-era politics, Alex Cox’s film was the perfect cult hit for the golden age of the video store. Read more »

Just before the premiere of their new film, author Laura Albert and director Jeff Feuerzeig stopped by Criterion for lunch and a visit to our film closet. Read more »

Repo Man (1984)

A fearless Secret Service agent will stop at nothing to bring down the counterfeiter who killed his partner.

A look at this year's competition for Best Actress.

The soundtrack features songs by various punk rock bands such as The Plugz, Black Flag, the Circle Jerks, Suicidal Tendencies, Iggy Pop and others. The film score was created by Tito Larriva and Steven Hufsteter of The Plugz.

“I am excited for this, heard really interesting things about it but been able to find it for years.”

An unconventional retelling of the life of William Walker, a 19th century American mercenary leader who became the president of Nicaragua.

Percentage of users who rate a movie or TV show positively.

Repo Man comes out of left field, has no big stars, didn't cost much, takes chances, dares to be unconventional, is funny, and works. There is a lesson here.

Parnell finally arrives in L.A., but he is unable to meet up with his waiting UFO compatriots because of a team of government agents led by a woman with a metal hand. When he pulls into a gas station, the Rodriguez brothers (competitors of Helping Hand) take the car. They stop for sodas because the car's trunk is so hot. While they are out of the car, a trio of Otto's punk friends, who are on a crime spree (what they call "doing crimes"), steal the Malibu.

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Otto follows Bud in the car to the "Helping Hand Acceptance Corporation" (a small automobile repossession agency), where he learns that the car he drove was being repossessed. He refuses to join Bud as a repossession agent, or "repo man", and goes to his parents' house. He learns that his burned-out, pot-smoking, ex-hippie parents (Jonathan Hugger, Sharon Gregg) have donated the money they promised him for finishing school to a crooked televangelist. He decides to take the repo job.