Another deft, deeply affecting variation on Krzysztof Kieslowski's recurring theme that people are interconnected in ways they can barely fathom.

The third and best feature of Krzysztof Kieslowski's highly ambitious Three Colors trilogy.

Travis Henderson, an aimless drifter who has been missing for four years, wanders out of the desert and must reconnect with society, himself, his life, and his family.

A harried movie director retreats into his memories and fantasies.

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A woman struggles to find a way to live her life after the death of her husband and child.

Red was highly acclaimed, and was nominated for three Academy Awards, including Best Director for Kieślowski. It was also selected as the Swiss entry for the Best Foreign Language Film at the 67th Academy Awards, but was disqualified for not being a majority-Swiss production.[2]

At this moment, in this cafe, we're sitting next to strangers.

For all its cleverness, remains in essence the story of a friendship which, across the generations, leaves both parties a little easier with themselves but still prey to fate.

It’s the time of year when the list makers do their heavy lifting, looking back over the preceding twelve months and deciding what was best and brightest. We’re happy to report that some of our . . . Read more »

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Everyone will get up, leave, and go their own way, And then, they'll never meet again. And if they do, they won't realize that it's not for the first time.

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Most films make the unspoken assumption that their characters are defined by and limited to their plots. But lives are not about stories.

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Discuss Red (Trois couleurs Rouge) on our Movie forum!

- Krzysztof Kieslowski One of the opening images in "Red" is of telephone lines, crossing. It is the same in life. We are connected with some people and never meet others, but it could easily have happened otherwise.

A nurse is put in charge of an actress who can't talk and finds that the actress's persona is melding with hers.

After he completed "Red" (1994), the final film in his "Three Colors" trilogy, Krzysztof Kieslowski announced that he would retire. This was not a man weary of work. It was the retirement of a magician, a Prospero who was now content to lay aside his art--"to read and smoke." When he died two years later, he was only 56.

That is the truth that Kieslowski keeps returning to in his work. In "The Double Life of Veronique," there is even a moment when, if the heroine had looked out of a bus window, she might have seen herself on the street; it's as if fate allowed her to continue on one lifeline after choosing another. In "Red," none of the major characters knows each other at the beginning of the movie, and there is no reason they should meet. Exactly.

Think about these things, reader. Don't sigh and turn the page. Think that I have written them and you have read them, and the odds against either of us ever having existed are greater by far than one to all of the atoms in creation.

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In 1989, the Communist rule that had dominated Eastern Europe since the end of the Second World War collapsed with astonishing rapidity. If the long-term political, economic, and ideological . . . Read more »

Various women, including a North Korean defector, a banned short track skater, middle age woman and a middle school student, come together to form the first South Korean woman's national ice hockey team.

Ten television drama films, each one based on one of the Ten Commandments.

“Three stories, three leading ladies, three Kieslowski masterpieces - it's hard to choose one over another, so savor them all. They're that good.”

Valentine talks to her boyfriend. They are rarely together.

Red (1994)

“Three of the most beautiful films ever made, and the Blu-ray transfers make them even better. The best release of 2011.”

“Amazing soundtrack, and excellent cinematography. One of the best trilogies in existence.”

There are melodramatic developments, but no one seems to feel strongly about them.

Valentine is a young model living in Geneva. Because of a dog she ran over, she meets a retired judge who spies his neighbours' phone calls, not for money but to feed his cynicism. The film is the story of relationships between some human beings, Valentine and the judge, but also other people who may not be aware of the relationship they have with Valentine or/and the old judge. Redemption, forgiveness and compassion... Written by Yepok

An innocent virgin spies on his frontal neighbor and falls in love with her, thus starts using tricks on her which he hopes will lead to them meeting.

There is a moment in "The Double Life of Veronique" (1991), where if the heroine had only glanced out a bus window a second sooner, she might have glimpsed herself in the city square. How could that be? A moment's rent in the fabric of time? A flash from a parallel universe? Kieslowski would never have dreamed of saying and probably didn't know.

She specializes in "personal weather reports" for her clients, which sounds reasonable, like having a personal trainer or astrologer, until we reflect that the weather is more or less the same for everybody. But perhaps her clients live in such tight boxes of their own construction that each one has different weather.

She goes back out to the house of the old judge, and talks to him some more. We learn more about the lives he is eavesdropping on.

He is someone on the phone. Perhaps she "stays" with him to save herself the trouble of a lover whose life she would actually share.

Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.

Two parallel stories about two identical women; one living in Poland, the other in France. They don't know each other, but their lives are nevertheless profoundly connected.

The film opens in Geneva, in an apartment occupied by a model named Valentine (Irene Jacob). She makes a telephone call, and the phone rings at the same time in an apartment just across the street, occupied by Auguste (Jean-Pierre Lorit), a law student. But she is not calling him. Her call is to her boyfriend, who is in England, and whom she rarely sees. As far as we know, Valentine and Auguste have never met. And may never meet. Or perhaps they will.

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