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A reporter finds what appears to be a cover-up of safety hazards at a nuclear power plant.

What is it about Jane Fonda that makes her such a fascinating actress to watch? She has a sort of nervous intensity that keeps her so firmly locked into a film character that the character actually seems distracted by things that come up in the movie. You almost have the feeling, a couple of times in "Klute," that the Fonda character had other plans and was just leaving the room when this (whatever it is) came up.

Sutherland is either an excellent sounding board for this nuanced portrait or he's a big zero, probably both. Fonda, however, transcends her limitations, making the most of her often forced quality as an actress.

Intelligence. I suppose that's the word. In "Klute" you don't have two attractive acting vacuums reciting speeches at each other. With Fonda and Sutherland, you have actors who understand and sympathize with their characters, and you have a vehicle worthy of that sort of intelligence. So the fact that the thriller stuff doesn't always work isn't so important.

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Playing a complex, sharpy written part, Jane Fonda won the Best Actress Oscar for her strongest dramatic performance in Alan Pakula's well mounted drmataic thriller

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Daniels moves out of her apartment with Klute's help, though her voiceover with her psychiatrist reveals her fear of domestic life and a likelihood that the doctor will "see me next week."

The scenes between Fonda and Sutherland are very good, then, and Bree is further developed in scenes showing her trying to get out of the trade and into something straight. She takes acting lessons, she auditions to model for cosmetics ads. She talks to her shrink (in scenes that sound improvised and exhibit Fonda's undeniable intelligence).

Spanish official release DVD Import. Audio: Dolby Digital English and Spanish (you can chose the language) with removable Spanish Subtitles. Region 2. Spanish writing in the covers and menus.

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A graduate history student is unwittingly caught in the middle of an international conspiracy involving stolen diamonds, an exiled Nazi war criminal, and a rogue government agent.

Klute received generally positive reviews from film critics. It currently holds a 96% approval rating on the review aggregator website Rotten Tomatoes based on 28 reviews with an average rating of 8.1/10.[4]

With Fonda and Sutherland, you have actors who understand and sympathize with their characters, and you have a vehicle worthy of that sort of intelligence. So the fact that the thriller stuff doesn't always work isn't so important.

Klute is the first installment of what informally came to be known as Pakula's "paranoia trilogy". The other two films in the trilogy are The Parallax View (1974) and All The President's Men (1976).

The film earned $8 million in rentals at the North American box office.[3]

A look at this year's competition for Best Actress.

In the midst of a searing Florida heat wave, a woman convinces her lover, a small-town lawyer, to murder her rich husband.

The lives of a disparate group of contestants intertwine in an inhumanely grueling dance marathon.

Norman is a curmudgeon with an estranged relationship with his daughter Chelsea. At Golden Pond, he and his wife nevertheless agree to care for Billy, the son of Chelsea's new boyfriend, and a most unexpected relationship blooms.

Klute is a classic that deserves to be revisited again and again. An involving, atmospheric thriller and politically-aware study of female identity, it boasts one of the most original and emblematic heroines in the history of American cinema and features one of the greatest screen performances of all time.

Jane Fonda won the Academy Award for Best Actress for her role in the film.

OSCAR WINNER JANE FONDA FOR BEST ACTRESS! A high-priced call girl is forced to depend on a reluctant private eye when she is stalked by a psychopath.

Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.

Fonda won an Oscar. Roy Scheider is her nasty pimp!

Los Angeles private detective Harry Moseby is hired by a client to find her runaway teenage daughter and he stumbles upon a case of murder and artifact smuggling.

Klute is a 1971 crime-thriller film directed and produced by Alan J. Pakula, written by Andy and Dave Lewis, and starring Jane Fonda, Donald Sutherland, Charles Cioffi, and Roy Scheider. It tells the story of a high-priced prostitute who assists a detective in solving a missing person's case.

Klute (1971)

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The film begins with the disappearance of Pennsylvania executive Tom Gruneman (played by Robert Milli). The police reveal that an obscene letter was found in Gruneman's office, addressed to a prostitute in New York City named Bree Daniels (Fonda), who had received several similar letters from him. After six months of fruitless police work, Peter Cable (Cioffi), an executive at Gruneman's company, hires family friend and detective John Klute (Sutherland) to investigate Gruneman's disappearance.

A bookish CIA researcher finds all his co-workers dead, and must outwit those responsible until he figures out who he can really trust.

The film includes a cameo appearance by Warhol superstars actress Candy Darling, and another by All in the Family costar Jean Stapleton.[2] The music was composed by Michael Small.

A movie resolutely of its moment that still surges with third-rail electricity ...

A woman whose husband is fighting in Vietnam falls in love with another man who suffered a paralyzing combat injury there.

Fonda is simply a revelation, beautiful, sassy and streetwise, and yet hauntingly vulnerable. She deserved her Oscar in a role she has never bettered.

"The Washington Post" reporters Bob Woodward and Carl Bernstein uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation.

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